bits and bobs

In a few hours time JAM will be back for a six show season.

As previously announced here, the first show features Paul Merton, Graham Norton, Pam Ayres and Kevin Eldon.

The other recordings feature Paul, Gyles Brandreth, Richard Herring and Russell Kane, and a recording at Derry features Gyles, Tony Hawks, Fred MacAulay and Roy Walker.

Richard was called in at short notice and has again blogged about the experience. As noted in the past, he clearly loves doing the show.

But I got a call at about 2pm asking if I would fill in for a last minute drop out on Just a Minute. That's not a show that you need to be mentally sharp on, right? Having a hangover would almost certainly make me better at it. I do love this programme and am always thrilled to be asked to do it, so I couldn't really turn it down. I'd have to chance it and hope that the adrenaline would get me through. As a side note I am almost certain that I got this offer because I was in people's minds after the Sony awards and if so that means that I clawed back a bit more of the money that I'd spent to be there. My biggest failing in my career is my inability to and embarrassment at networking. But possibly by being affable and happy last night (due to being pissed) or even just by being present and reminding people I existed I had done myself a favour. Rebecca Front got cast in Time Gentlemen Please after we'd been struggling to think of someone to be Ms Jackson when I bumped into her in a bakers and realised that she'd be perfect. I don't know if she hangs around bakers deliberately, knowing that writers love eating pastry. By the amount she is on TV I am guessing that she must.

So within a matter of hours I was heading into town to compete against Paul Merton, Gyles Brandreth and Russell Kane. I didn't have time to get nervous or really to practice the game. I was just going to throw myself into it and hope for the best. And maybe the lack of nerves was a good thing. I had a terrific time tonight. I still made plenty of unforced errors (but the game would be rubbish if everyone was as good at this as Paul) but managed a few impressive flurries and more importantly got a few laughs. As intimidating as it always is to be sitting next to Paul Merton (I really wanted to ask him if he'd do a RHLSTP but I was too shy), it is also a wonderful thrill to be riffing with him and he was in a skittish and fun mood. And as competitive as he can be (or appear to be, it's all part of the game) he is also very generous on this programme, giving other people the space and time to do things. I almost totally forgot about the hangover and just enjoyed being a part of what is the funniest radio programme in the history of radio programmes. It's only Tuesday and it's already been a brilliant week!

And I managed to get a wanking joke in, so I am happy. The two programmes we recorded tonight will be broadcast in June.

Does anyone else find it kinda funny that he would be so intimidated by Paul that he wouldn't ask him if he'd appear on his podcast?

Anyway I'm enjoying hearing Richard on the show.

I know the producers booked Russell Kane last series but he pulled out so I am very pleased they didn't give up on him. His only previous appearance was in the Edinburgh Festival at 2011 when I was in the audience , when amazingly enough, he won on debut beating the not inconsiderable pairing of Paul and Gyles. But he wasn't just naturally fluent and competitive, he wads also very funny. I've watched out for him since and find him hillarious. I suspect he doesn't want to do too much in the way of panel shows as he doesn't seem to do many.

Roy Walker is a newcomer - he's a game show host and comedian in Ireland. Will be nice to have another Irish voice on the programme. Anyone else think Graham Norton should have gone over for the recording?

Fred MacAulay returns after a three year absence. He's been appearing on the show since 1996, but has only done 14 shows. I always feel like he's promising without ever showing us the promise. He's quick witted and funny, but maybe this isn't the game for him? Tony and Gyles will have to be at their best if the shows are to work.

In other news I see Paul is writing an autobiography. That promises to be worth reading.

And JAM has a new producer - Katie Tyrrell. She seems to be working with Tilusha Ghelani. Katie's worked on many other BBC radio comedy programmes, and has now moved to the best of them.

Í guess this means we are saying good-bye to Claire Jones, who produced the show from 2000 to 2006 and has shared the reins with Tilusha for the past few years. Claire has returned before and she has her own place in JAM history with more shows produced by her than any other producer. I think she has done an outstanding show moving the show on after the losses of Derek Nimmo, Peter Jones and Clement Freud. Still tis always good to have a new perspective. I wish Katie all the very best.

I'm a bit behind on the website but am going to make an effort to update it over the next few weeks. I have 22 shows to transcribe - soon it will be 28. So I'll try and get on with it. Truth is I have been seriously thinking of pulling down the website. Have been feeling as if maybe the site's time has come and gone.

The site is 14 this month. That's old for a fansite as they're called. And I'm a bit over the rude and sometimes offensive nature of much of the email traffic I get.

But traffic has been big by the website standards - bigger than ever before. And last series anyway, the show itself also seemed better then ever. So I'll keep going and hope I get a renewed burst of enthusiasm.

An updated list of appearances since the death of Clement... there have now been 104 shows recorded. (including the 10 TV shows) Newcomers are bolded.


Paul Merton 90
Gyles Brandreth 35
Sue Perkins 28
Tony Hawks 26
Graham Norton 24
Julian Clary 18
Jenny Éclair 17
Josie Lawrence 13
Liza Tarbuck 12
Sheila Hancock, Pam Ayres 10
Alun Cochrane 9
Charles Collingwood, Marcus Brigstocke, Shappi Khorsandi 8
Richard Herring 7
Kit Hesketh-Harvey, Ross Noble, Stephen Fry, Kevin Eldon 6
Miles Jupp 5
Jason Manford, Rick Wakeman 4
Fred MacAulay, Phill Jupitus, John Sergeant, Russell Kane, Stephen Mangan, Paul Sinha 3
Tim Rice, Chris Neill, Greg Proops, Janey Godley, Dave Gorman, Ian McMillan, David Mitchell, Justin Moorhouse, Cyrus Broacha, Jason Byrne, Fi Glover, Anuvab Pal, Roy Walker, Terry Wogan 2
Pauline McLynn, Mike McShane, Stephen K Amos, John Bishop, Hugh Bonneville, Hannibal Buress, Ruth Jones, Russell Tovey, Tim Vine, Suki Webster 1

today

(British time anyway) is the birthday of the great great man, Sir Clement Freud. It’s also the fourth anniversary of his funeral.

Still missed on JAM – lucky we have about 500 shows to admire his wit, fluency and tart tongue.

new recording

The team was Paul Merton, Graham Norton, Pam Ayres and Kevin Eldon.

great shows

As we come up to the anniversary of last year's JAM TV series, I guess we have to accept that any future series is now on the backburner again.

That seems a shame as the series last year was certainly the best of the various attempts to bring JAM to TV.

Nevertheless I think on average the 10 shows never quite saw JAM at its best. They were good, funny shows, don't get me wrong. But perhaps not examples of the very best of JAM.

I'm thinking about this because I reckpn the current radio season has shows which are showcasing JAM at its funniest.

The key thing I think is that we are back to Paul Merton at his funniest and silliest. Last year I rated Paul a bit lower than usual but this year he is at his brilliant best, inventive and witty every time he gets the subject.

I think it helps that he has had such strong teams around him. Today's panel with Paul was Sheila Hancock, Josie Lawrence and Marcus Brigstocke. None of them had done the show in 12 months - Sheila not since 2011 - but they're all naturals  and just fit with the show. Marcus and Josie are great improvisers and Sheila's mix of wit and self-deprecation is tremendously effective. I am already looking forward to the second show in this season.

And the show the previous week was if anything even better. Richard Herring is showing signs of being a great contributor in the future. But Julian Clary and Jenny Eclair were both at their best. Both know the game inside out, clearly love it, and know how to adapt their styles to it.

JAM currently has a great cast list. I can't help feeling atht in their currenjt form, the current shows would also make great television.

Richard Herring on why he loves JAM

Richard Herring's blog is very interesting on his recent JAM recording.

Graham goes for a record

Graham Norton is to host a chat show marathon for charity - from the Independent

Strictly Come Dancing winner Louis Smith, comic Ronnie Corbett and supermodel Elle Macpherson are among the guests who will take part in Graham Norton's bid to set a new TV chat show record.

The presenter is to take over BBC3 for an entire evening for a marathon programme with guests arriving back to back in the run-up to Red Nose Day.

Comic Relief's Big Chat with Graham Norton is being broadcast on March 7 and is due to last for at least six hours.

The aim is to establish a new Guinness World Record for the most questions asked on a TV chat show.

Other guests lined up include Sarah Millican, Martin Freeman, Jimmy Carr, James Nesbitt, Heston Blumenthal and Kirstie Allsopp. Musical performers will include Example, Paloma Faith and Laura Mvula.

Norton said: "David Walliams swam the Thames, John Bishop endured a week of hell and Eddie Izzard ran marathon after marathon after marathon.

"I am hoping to join this elite group of celebrity fundraisers by doing what I do best - sitting on my backside and talking."

Other guest hosts during the evening will include Sir Terry Wogan and Frank Skinner, as well as Radio 1 breakfast show host Nick Grimshaw.

and this interview is a few months old - but I thought it quite good

So, Graham Norton. Is he V Graham Norton – camp chat-show ringmaster, Radio 2 DJ and Eurovision wit – or is he also still a bit Graham Walker, the failed actor from small-town Ireland who had to change his name under Equity rules?

It would take his older friends to confirm this, but I suspect there isn't much distance between the two – with the important exception of success – for Norton has made a glittering career out of simply being himself. Certainly the tanned and relaxed-looking man I meet in a London hotel, dressed in casually expensive Karl Lagerfeld cardigan and Comme des Garçons T-shirt, is reassuringly Graham Norton (perhaps Reassuringly Graham Norton can be the title of his next chat show), especially when he laughs his "hyuck, hyuck, hyuck".

And as we sit side by side in matching leather armchairs, it's also easy to see how his guests might relax in his company. He's easy to talk to, he actively listens and he is warm – a handy trait when your business is other human beings. Not that he's above lying to journalists, as he admits in his entertainingly honest and well-written (all his own work) 2004 autobiography So Me. "That is true," he says now. "It's a lovely thing to realise that actually you're not under oath. But then I meet a nicer class of journalists now – I meet features journalists."

Bless him for that, but, first, with my rarely-worn news journalist hat on, it's down to business. Norton recently sold his production company, So TV, to ITV for £17 million – does that mean he will follow Jonathan Ross to ITV? "I really don't think that's true," he says. "As far as I know they've bought a business. Obviously I'm part of that business in that my show is our main product, but in business terms they're much better leaving me where I am than starting afresh. But you never know."

You never know, indeed, and moving to ITV would at least put a stop to the constant carping about BBC top-talent salaries – Norton being one of the six stars identified as earning more than £1 million a year from the licence fee. "I would like to know what everyone gets paid too, but it's just gossip," summarises his position on the matter. "Something crazy like 8 per cent of the licence fee is spent on [on-screen talent]. Eight per cent… surely it's more in the public interest to find out what the fuck the other 92 per cent is spent on."

That Norton is not primarily motivated by money can be evinced by the fact that, long before he finally joined the BBC from Channel 4, he turned down a £5 million-over-two-years offer from the Corporation. Once he did sign for the Beeb in 2005, he hosted a succession of Saturday-night talent shows – glorified casting sessions for West End musicals in which Norton discovered his perfect comic foil, Andrew Lloyd Webber – before finally seeing his late-night BBC2 chat show promoted to Jonathan Ross's old Friday slot following the latter's controversial departure in 2009. Which stars remain on his wish list?

"I always had Madonna as the answer to this question, but now we've had her," he says. How about the Queen? "Harry would be good now. We haven't had Brad or Angelina and we haven't had George Clooney." Have any A-listers been scared off his show, given that, in the past, he has had a woman shooting ping-pong balls out of her vagina, Dustin Hoffman telling dirty jokes about Brigitte Bardot's "muff" and the late Mo Mowlam marrying two dogs.

"In the past people would have been scared off," he says. "But the interesting thing about that was it always looked scarier for the guest than it really was." The only star famously not to see the funny side of Norton's antics was Raquel Welch, Norton pulling the plug on their satellite link with the words "grumpy old bitch". Has he spoken to her since? "No, I have not. But it's interesting that no one has ever said to me, 'Oh, you got her really wrong'…"

And anyway, the BBC1 show is a tamer affair than his often riotous Channel 4 series. "We were never told to tone it down," he says. "After the Channel 4 show… we were just tired of doing it that way." He freely admits that his style of chat is a branch of comedy ("I doubt you will come away having learnt very much"), but he also believes that the old-style Michael Parkinson approach wouldn't work with the modern calibre of 'celebrity'. "If you've got Orson Welles sitting there next to you," he says, "that's a very different ball-game to having someone on from Emmerdale."

Norton will be 50 next April. He lives in Wapping, east London, with his two dogs, f Bailey and Madge, and his boyfriend for the past year and a half ("That's good for me"), Trevor, even if he's not quite sure what Trevor does for a living. "This is where he'll get upset… I know he's changing jobs… he was in a sort of software sales thing."

Norton has expressed a desire for a lover of the same age, instead of the younger ones he'd meet who made him feel like "a gay Michael Winner". Is Trevor the same age? "No. No, he isn't. So there you go. I was asking him last night, 'What do you want me to say about you?', because it annoys boyfriends if you talk about them, but it equally annoys them if you don't talk about them." What about the idea of having children – like Elton John and David Furnish? "It's weird because you can do it now… so now you have to decide not to. And I guess I have decided not to. If it was possible for me to adopt, I probably would, but no one's going to let me adopt."

As well as his house in Wapping, whither he moved from Bow to avoid the attentions of local children shouting through his letter box, Norton owns homes in Manhattan, on the Sussex coast and in County Cork, where he was born in 1963, in a Protestant household. The section of his autobiography dealing with his childhood in Ireland is remarkably brief, a spot of cross-dressing, a lot of watching TV and an attempted seduction by a male French exchange student. "I have nothing to say about my childhood," he says. "It was a perfectly pleasant upbringing – it's not like it was unhappy or anything."

After grammar school in Bandon, Co Cork, where he was a popular pupil, he dropped out of university and went travelling – to San Francisco, sharing a house with a group of hippies, and nearly becoming a rent boy, which in early 1980s California, with Aids devastating the gay community, could well have been a death sentence. "It's one of the reasons I'm glad I'm not a parent," he says. "We all did such stupid things." He did, however, continue to experiment with his sexuality, taking one of the hippies as a boyfriend and having a long-ish term girlfriend, a woman called Elizabeth ("I'd love to track her down – her name was Elizabeth Smith, so, I could be going through Facebook for some considerable time"), before returning to live in London, waiting tables and applying to drama schools. When did he finally decide that he was gay?

"I never really decided. It just kind of became a thing. I was working in this restaurant and everyone who started work there assumed I was gay and in the end there was nobody to come out to. So, it was very easy." Easier, in fact, than admitting to being camp? "I do think that's true. You see documentaries about young gay guys – they're fine about being gay but they hate the idea that people will think they're camp." Norton himself recalls watching Larry Grayson on television at home in Ireland with a sense of self-loathing. "I'd recognise myself in him, but didn't like it. And I'm sure there are kids watching me now on TV thinking, 'Oh, shit… here we go'."

And Norton would feel uncomfortable when producers used to push him to camp it up. "I think that reached its zenith when we doing five nights a week (on C4 with V Graham Norton) and I just had to show up and do what's written. So the writers were steering this gay creature far away from who I was and who I was comfortable with being."

Having learnt in drama school in the late 1980s that he couldn't play a straight role, a brush with death – he was stabbed in the chest by muggers – helped him take life and art even less seriously. "It just made you care less, made you realise," he says, clicking his fingers, "it can be over like that." And then, in desperation ("There was no plan B"), he decided that he needed to write his own material – popping a tea towel on his head and performing Mother Teresa of Calcutta's Grand Farewell Tour in a room above a pub. That led to other one-man shows (The Karen Carpenter Bar and Grill; Charlie's Angels Go to Hell) which in turn led to Edinburgh and a regular guest slot on Radio 4's Loose Ends.

His big break came with the advent of Channel 5, as guest host on The Jack Docherty Show – winning a comedy award against a field that included Docherty himself (mortifyingly, they were sharing a table at the ceremony), after which Channel 5 gave him his own panel show, Bring Me the Head of Light Entertainment, while Norton simultaneously played Father Noel Furlong in Father Ted. Channel 4 soon came knocking.

Norton likens his chat-show work to the labours of the oxpecker: "that bird that sits on top of a hippopotamus and lives off the grubs that live in the cracks of their skin". He doesn't hang out with other celebrities (he wrote in his autobiography "Famous friends, those two words make about as much sense to me as Fun Run or Japanese Banquet"), he rarely tweets ("I've got nothing to say") and claims he is perfectly happy out of the limelight. So Me, written in 2003, ends with Norton experiencing a mid-life crisis on his 40th birthday.

"I think 50 will be less shocking than 40," he says. "I feel much more settled. Forty just crept up on me – I didn't see it coming. Although I had success, my life was all up in the air. Now the show is at a good place, I like where I live, I like how I live, and if it all stops tomorrow I'm OK with that as well. I think I still had some ambition left when I was 40. That seems to have gone."

Although, unlike some TV personalities, he would be happy to retire ("and I speak for the nation"), there is one job that Norton would be loath to give up, and that is Eurovision. "Losing that gig will be the one time I can think of in my career where I'll be upset," he says. "If I lost the chat show that wouldn't upset me, but I do love doing Eurovision." And he in turn gets to upset whole countries – such as Albania – with his remarks. "Albania gets upset because the Daily Mail rings Albania and says, 'If you heard someone say this, would you be upset?' and they go 'Yes'. My comments are geared to viewers in the United Kingdom."

So is Norton, as one commentator described him, "the 21st-century Terry Wogan"? "That's a compliment as far as I'm concerned, but Terry is quite busy being the 21st-century Terry Wogan. There is no game plan for what I did. What I say about the money I earn now is that I placed a bet on something very remote. My life could have been so grim… really, really grim." 

last panel for the season

was Paul Merton, Julian Clary, Jenny Eclair and Richard Herring

so Tony Hawks is again missing from a season.

Still - it sounds like a fun team!

a couple of things

this week's BBC Feedback programme includes a feature on Just A Minute. It's based around a fan getting tickets to a recording after trying for some time - but includes nice pieces from Tony Hawks and Jenny Eclair talking about why they love the show. Good listening!

here's the link

and if you're near Kingston-on-Thames in mid May - here's a good night, a good cause and a great way to remember our much missed panellist, Linda Smith.

click here for info on a special concert for Linda

the prime of Graham Norton

On last week's show Graham Norton talked about never having won a game of Just A Minute. Of course he has won - 16 times. On being told he had won, Graham claimed, plausibly perhaps, that it had made no impact on him. He has mentioned never winning before though, which suggests it is at least somewhere in mind.

I suspect Graham knows he has won before but exaggerates his ability at the game for comic effect. He is the least successful - in terms of percentage of wins - of any of the current semi-regulars, and of those who have played at least 50 times, only Peter Jones and Andree Melly rate below him. In his first few years his manic rants and camp comedy bore comparison with Kenneth Williams, but as time goes on, he seems more in the Peter Jones tradition to me.

Like Peter, he can go long periods without speaking, and he will sometimes poke fun at the game if it is danger  of getting too competitive. Like Peter, he can come up with the best one-liners despite a smaller contribution. And like Peter, he is a real fan favourite.

He is possibly at the peak of his career with his BBC chat show being a huge success. The chat show on Channel Four which broke new ground in its concentration of sexual banter and dirty stories has morphed into more traditional chat show content but Norton seems to be able to charm interesting information out of his guests. There's still a comedy undertone though - one of his guests is almost always a comedian. the show is popular, not just in the UK, but in Australia and New Zealand.

It's always interesting to hear him on the show and he gives the impression of enjoying it very much. He doesn't often resort to filling in time though he does sometimes take a long time to assure us he has plenty to say on a topic when he clearly doesn't, a ploy that always wins a belly-laugh from Paul Merton.
He has a different perspective on things and often looks at the subjects in an unexpected way.

The popularity of Graham - and Peter Jones - suggests you don't have to be competitive at the game to be a success at it.

new panel

the latest panel recorded last week looks particularly good, I think - Paul Merton, Sheila Hancock, Marcus Brigstocke and Josie Lawrence.

One more panel this season – being recorded on Feb 19th.

On air, the show is back tomorrow with Paul, Graham Norton, Sue Perkins and Jason Manford